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Based entirely on the work of Armin Linke, Accattone #5 explores photography in relation to the major architecture of public and private institutions: the infrastructure of the Roman Empire, neoclassical Athens, the United Nations headquarters, neo-liberal corporate environments and the fragile European institutions in Brussels.
Monuments are carefully crafted to convey determined sets of aesthetic codes and political values, incorporated in a purportedly eternal and total character. Photography can challenge the power of such representations by bringing out their inherent glitches, small cracks and everyday ambiguities. It can reprogramme architecture.

 

Accattone explores minor practices in art and architecture through the specific means of the printed magazine. As an exhibition on paper, each issue is a montage of contributions whose shared positions towards reality, history and representation resonate with one another.

In the current landscape of non-commercial publications, Accattone’s originality lies in the strong visual orientation and in the close association of methods, editorial devices and featured contents. Through these experiments, crossing the methods of artists-as-iconographers with emerging architectural practices, Accattone addresses critically a fundamental aspect of thinking and practice: the working document and the changing status of the image.

A-periodical, self-published and non-subsidized, Accattone was launched in 2014 by two architects (Sophie Dars & Carlo Menon) and two graphic designers (Ismaël Bennani & Orfée Grandhomme), joined in 2019 by architect Galaad Van Daele. Through six issues and several side projects, the magazine has gained international recognition and distribution in both professional and academic contexts, including the first Index Architecture Book Fair (Mexico City), the Venice Biennale and the CCA Montreal.